Yeh Mera India

Yeh Mera India is inspired from the 2004 Oscar winner Crash which dealt with racial bias. The movie deals with communal bias, caste bias, class bias, gender bias, lingual bias and immigrant bias that plaque India's society. It’s the story of one day in the life of 12 people from different strata. The movie is about a bihari immigrant, a cop, communist, jihadi, politician, call center employee and owner, maid, judge, hospital owner, a TV channel boss.

Some scenes are very good like the one where Seema Biswas sees Sarika searching through her stuff or the scene where Seema listens to Sarika's conversation and wants to hit her or the scene where Rajpal Yadav is taken for a ride by Atul Kulkarni or the scene where Rajpal saves Shayaji Shinde or the scene where Parveen Dabbas confronts Vijay Raaz or the one where Parveen Dabbas responds to some guys comments about terrorism.

Read rest of the review at 

http://www.tanqeed.com/movies/ymi.cfm

Released with the least possible promotional campaign, “Yeh Mera India” showed the glimpses of its powerful content in the promos itself. And as promised it thankfully delivers a quality product with many thoughtful sequences, questioning the social double standards of our society. In other words, it is the most important movie of 2009 since it talks about some burning issues and forces the viewer to think about his life and the actions he might have taken in the similar situations.

It belongs to the same genre of movies which talk about different inter-connected stories in a collective manner, as seen earlier in “Firaaq”, “Mumbai Meri Jaan”, “Metro” and more. The style may seem to be a bit repetitive, but it’s the quality of the content which makes the movie appreciable and worth watching. It intelligently starts with a T.V. News highlighting the major incidents occurred during a particular day and then takes you back into a series of flashbacks giving the detailed accounts of each incident individually.

In the initial moments, it may seem to be a deliberate attempt by the director but as the stories develop, you start relating to them easily. The first half builds a clean platform for all the characters interlinked with each other. And as you are well familiar with the plots, it takes you into an explosive second half where every story is fast moving towards its own boiling point. In few words, the post interval proceedings turn the movie into a solid commendable effort by both its writer and the director.

The well written script, surrounding a complex web of relationships, touches almost every important social issue of the current times. It talks about communal hatred among the people, class differences in the society, rich exploiting industrialists, gangster’s extortion mafia, Jihaadi Movement in the country, misguided younger generation, mean political leaders, TRP driven channels, Migration problems in the Metros, Profit motives of the Hospitals, Medical Negligence by the Doctors and also the Spiritual Heritage of our country.

It may seem impossible to incorporate all the above mentioned plots in one movie alone, but director N. Chandra remarkably performs this tough task and that too with a great conviction and class. He is back in form again roaring like a lion with his own specialized genre of movies based on intense social problems. Chandra brilliantly handles each individual story with an equal importance and makes you feel the pain felt by all his character simultaneously. The hard hitting and impactful execution by the director leaves a solid impact on the viewer as he walks out of the theater...thinking.

Not going into details of each storyline, I would like to mention the most beautiful and important sub-plot of the movie involving a doctor, a judge and a victim harmed by the Medical Negligence of his doctor. The story teaches us the art of forgiving in a very pleasing manner. It explains the real meaning of the word empathy and its importance in our gifted short lives. I don’t remember any other movie talking about this subject in a more expressive way than “Yeh Mera India”. So, among all the other sub-plots, I rate this particular part of the movie as the most impressive and well directed one having the power to stay in your minds for long.

Talking about the performances, you can feel the heart and soul put in by all the actors performing in the movie. Thinking about each story individually you remember every single actor giving one of the best acts of his career including the veterans Anupam Kher, Rajat Kapoor and Seema Biswas. N. Chandra has splendidly extracted worth praising performances from his entire star-cast including the ones playing their minuscule roles. The song less movie also gets well supported by its soothing Background Score, fine Cinematography and crisp to the point editing.

Another worth mentioning ace is the use of “Urdu Shayri Couplets” incorporated with a heavy background voice, after every important incident in the movie. The deep meaning of the few lines spoken at an appropriate time, increase the overall impact of a sequence to many folds.

So, if you love the thought of living together as brothers, if you can feel the importance of the remaining years of your life and if you believe in sharing what you have in your possession, then “Yeh Mera India” will surely make you feel much better. The movie is not only about India alone, but it is about every country existing on the globe facing problems. It talks more about the concept of Universal Brotherhood and the urgency to understand its need in the current times. On merit basis, as it was “Mumbai Meri Jaan” in 2008, there is “Yeh Mera India” in 2009. Just go for it now!

Rating : 4 / 5

(by Bobby Sing from www.bobbytalkscinema.com)